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Monday, October 17, 2011

Cunning Men And Women

Cunning Men And Women
"Delicate Men/Cunning Women, were professional practitioners of folk magic found in slack parts of the Europe due to the resulting middle-ages and up in the field of the twentieth century. The time "Sneakiness" is a synonym for cautious or restrained.

Delicate men and women were implicit to be specialist healers, expand the properties of the foliage that grew in the section and were implicit to be specialist to help with life's arrest, such as internment a buddy, unification lovers, being paid your fullness back lost textile, ensuring prosperity and prosperity, and achieving settlement. Delicate men and women were for the balance of the say of the time, the lone curative "PROFESSIONALS" affiliation visited. More than enough cunning women were likewise irregular in midwives.

Delicate men and women can do with not be disheveled with witches. Enhanced precisely, and rigorous to with the equal traditions of folk magic rigorous to hoodoo/rootwork/conjure, cunning men and women were rear to "WITCH DOCTORS", meaning that it was their job to snatch witchcraft, remove evil spells, and heal bug caused by witches. The belief that cunning men and women were witches stems greatly from Wiccan be placed.

Glumly starting in the 1950s with the next of the Wiccan religion, an assortment of proponents of Wicca began to meaning cunning men and cunning women as their spiritual type. This rapidity of assimilating the cunning tradition in the field of Wiccan mythology entailed the rewriting of history. Delicate men and women were not Wiccans, nor were they pagans. They were Christians and prayed to the Christian God and above hand the bible in their works.

More than enough cunning men and women were fraudulently accused of time witches and were put out, tormented, and executed participating in the witchcraft enmesh of the worth ages. Reassure report in review that not every accused witch was a cunning man or mortal, but slack of them were. One and the same, top the way you are seen of them were mild of the indelicacy of witchcraft and were patronizing cheerfully simply above hand as scapegoats for any knock down of reasons by their communities.

Note: In bitterness of this the word cunning is for reliable a synonym for cautious, the word witch is not. The word witch does not mean "Cautious Woman" and has never secured a unqualified import. At the arena time folder are affiliation who dull meaning to practice the cunning tradition on the other hand top the way you are seen of the introduce somebody to an area are Wiccans or other alleged witches and move flash to nil to do with the actual cunning tradition of centuries breakthrough which may now be excessive.

SEE ALSO;

CHARMER


Sunday, October 16, 2011

Aleister Crowley

Aleister Crowley Image
Of all of the topics of occultism the most often misinterpreted one would almost certainly be Black Magic and more uninformed opinion and speculation is written on this subject than any other in magick. As a colloquial term it refers to the illicit conjuration of demonic forces and to pacts with the Devil, selling one's soul for some earthly gain. A popular encyclopedia of magic defines black magic as:

"as the use of supernatural knowledge for the purposes of evil, the invocation of diabolic and infernal powers that they may become the slaves and emissaries of man's will; in short, a perversion of legitimate mystic science";

but this general lay interpretation of this aspect of occultism is flawed and perverted by the vestiges of the Christian antipathy for all things occult or mystical.

For a more technically correct interpretation of what black magic actually is there are very few reliable sources to reference. Many otherwise reliable and knowledgeable sources of occult teachings misinterpret the meaning of black magic in this same light, such as Franz Hartmann's clumsy definition in Magic White and Black:

"We see, therefore, that with the exception of irresponsible persons, every one who has any will power is, in so far as he excercises that power, an active magician; a white magician if he employs them for good, a black magician if he uses them for the purposes of evil".

We only begin to shed light on the truth when we come to Aleister Crowley's masterful work Magick in Theory and Practice in which he says:

"...the Single Supreme Ritual is the attainment of the Knowledge and Conversation of the Holy Guardian Angel. It is the raising of the complete man in a vertical straight line. Any deviation from this line tends to become black magic. Any other operation is black magic".

This definition takes us closer to the true technical interpretation of black magic. Crowley continues;

"If the magician needs to perform any other operation than this, it is only lawful in so far as it is a necessary preliminary to That One Work. There are, however many shades of grey".

The Supreme Ritual that Crowley refers to, also known as the Sacred Magick or sometimes as the Great Work (perhaps erroneously) represents the magician's path to the unity that is at the end of the path and so it is the only pure white magick, unsullied by any taint of material objective, focused entirely upon the ultimate identification with the divine. According to the strict letter of the law then, everything else is black magic, even if the intention is 'good'. Leaving aside all pointless philosophical arguments about good and evil; the correct value that the blackness of magic expresses isn't its moral intention but its intended arena of operation. Magick that has as its objective some material outcome is by definition, the blackest magick. It remains to the individual magician to determine if there are in fact any shades of grey to their material magick or not.

The reason that black magick may be detrimental is that it is a magickal movement in the opposite direction to the one that the magician has obligated himself to take by swearing to devote himself to the Great Work. There may perhaps be some way to mitigate this oath by asserting that a black operation in some way supports the pursuance of the Great Work but the circumstances would be rare. It is said that the Holy Guardian Angel takes two steps towards the ultimate union for every one taken by the magician and so it may follow that every step away from the HGA may invoke an even greater obstacle to accomplishing the Great Work. The Book of the Law also offers a definition of which magick is black, labeling the rituals of the old time as being corrupted and improper expressions of the True Will. An initiated Adept, having sworn his obligation to the Great Work, has made that objective his True Will and so every deviation from that True Will is by the most severe definition, black magick.

If there are black and white magicks then it follows that the Qabalah will supply other color correspondences for different types of magick which are not quite pure white magick and yet which don't have a strictly material objective. Types of magick that fall into this class are often not even thought of as magickal disciplines like divination which is attributed to Tiphareth and so is classed as yellow magick. Many obscure magicks and mystical practices fall into this category and a small consideration of the Qabalah in this area will soon make the correct interpretations clear.

Perhaps one reason why black magick has been so grossly misinterpreted is because its polar counterpart white magick has been equally misunderstood. Most modern practitioners would class operations intended for healing, or other benevolent ends as being white whereas they may in fact be black on two accounts. In the first place it would be very difficult to justify a healing magick with one's own Great Work no matter how close the person is to the magician, and it may be a gross interference in the True Will of the person being healed for anyone to interfere in their illness. To meddle in another's affairs, no matter how well intended, is nearly always an operation of the blackest magick as it almost always has purely material objectives.

There are a number of injunctions against using black magick that warn of the potential for repercussions from unlawful works that have gone awry. Often these are conflated with a Wiccan style three-fold return rule that stipulates that black magick rebounds with greater vigor than other magick gone astray. This is of course impossible as only the amount of energy that has been generated can possibly be expended, magick is ruled by physics just as everything else is, and one explanation for this myth is that black magick's adverse effects are always material and so more easily apprehended than a less material operation returning its energy would be.

On the classic work of black magic, the Infernal Pact that is so prevalent in medieval accounts of black magicians Crowley puts the case very succinctly;

"The Devil does not exist. It is a false name invented by the Black Brothers to imply a Unity in their ignorant muddle of dispersions. A devil who had unity would be a God "The Devil" is, historically, the God of any people that one personally dislikes".

He also states that trading one's soul for material gain is an impossible bargain to strike as the two things being traded do not exist on the same plane and that it is impossible to exchange the temporal for the eternal. Of course all magick is dangerous and often tempting and the Beast leaves his readers with the veiled warning that sums up black magick perfectly;

"It is, however, always easy to call up the demons, for they are always calling you; and you have only to step down to their level and fraternize with them. They will tear you in pieces at their leisure. Not at once; they will wait until you have wholly broken the link between you and your Holy Guardian Angel before they pounce, lest at the last moment you escape".



Also read these ebooks:

John Moore - Aleister Crowley A Modern Master Extract
Kenneth Grant - Aleister Crowley And The Hidden God
Thomas Voxfire - What Was Aleister Crowley


Labels: freemasons cork  mason symbols  freemasonry book  regius poem  how to become a mason  the confessions of aleister crowley  masons symbols  aleister crowley quotes  witch spells  

Friday, October 14, 2011

The Origin Of Masonry V The Holy Of Holies And The Resurrection

The Origin Of Masonry V The Holy Of Holies And The Resurrection Image
THE ORIGIN OF MASONRY
V. The Holy of Holies and the Resurrection

by Cromwell Mensch 32 degree

THE NEW AGE - NOVEMBER 1948


The Holy of Holies of King Solomon's Temple was called the Oracle, and was sometimes entirely different and apart from thee room called the
"middle chamber" of the Temple. The Temple itself was a stone building,
60 cubits long, 20 cubits wide, and 30 cubits high. Around the outside of the main structure were three chambers, superimposed one above the other. These three chambers were designated as the nethermost, the
middle, and the third chambers, respectively. They were narrow,
corridor-like rooms, for the nethermost was 5 cubits wide, the middle 6 cubits, and the third, 7 cubits wide. The nethermost was on the ground floor level, and evidentl y served as a rob ing room, as well as a place for the storage of implements and vessels used in the ceremonials. The middle chamber was one flight up, and served as a storage vault, as did the third chamber above it. Estimates as to the value of gold, silver, and other valuables stored in these upper chambers of the Temple, run all the way from five to ten billions of dollars. In short, this middle chamber of the Temple served as the storage vault for the material
wealth which fou nd its way into the coffers of the priesthoo d. These chambers were an innovation peculiarly adapted to the Temple, for there was nothing comparable to them in the original Tabernacle.

The Holy of Holies of the Tabernacle was a perfect cube, formed of the veil, and the 4 pillars which supported it. This cube was the central theme of its design, and the unit of measurement by which all parts of the Tabernacle were apportioned. For practical purposes, one edge of this cube was divided into 10 equal parts, and each of these parts was called a cubit. In other words, the Holy of Holies of the Tabernacle was
10 cubits long in each of its three dimensions. The Oracle of the
Temple, on the other hand, measured 20 cubits in each of its three
dimensions. This increase in size destroyed the perfect harmony of
design which had prevailed in the Tabernacle. In the Tabernacle, the Holy of Holies was placed in the middle of the structure, and the
celestial angle of 23 1/2 degrees was brought down to the center of the cubical room. This descending angle was the essential ingredient of Jacob's ladder, and below the center of the cubical it exactly subtended the 1 1/2 cubits of the Ark of the Covenant in section. It also did the same for the Ark in longitudinal section. The 7th ordinate of Jacob's ladder intersected the Arc in its exact center, and joined the celestial an d terrestrial spheres. It was the axis about which the Tabernacle formed a symmetrical design. These celestial ingredients set the Holy of Holies up as a material token that the Tabernacle was indeed none other but the House of God. This did not hold true of the arrangement in the Temple, for its Oracle was at the rear of the main room, and its
volumetric displacement was 8 times that of the Tabernacle's Holy of Holies.

The resurrection, or raising of the body from the dead, was exemplified as a ritual long before Moses came onto the, scene. The very temples where he was initiated into the mysteries contain graphic illustrations of this ceremony. The central figure is Osiris, who was raised from his bier at the command of Horus. The departed soul of Osiris is shown as a graven image in the form of a bird, perched in the Erica tree at the head of the bier. Moses transposed this into a nobler conception, by coupling the rebirth of nature with the phenomenon of the spring equinox in the celestial. This position he gave to Reuben the first born, as the beginning of Israel's strength, the excellency of dignity, and the
excellency of power, Genesis 49:3. But Reuben was unstable as water, and destined not to excel, because he wentest up to his Father's bed, and then defiledst he it, Genesis 49:4. The tribe of Reuben corresponded with the constell ation of Taurus, the bull. This bull was called Apis b y the Egyptians, and was part of the animal worship and deification practiced by them. The doctrine of Moses pointed out that the
beneficence of God came from the celestial sphere, and this figure of Apis the bull in the constellation of Taurus defiled his Father's bed.
Reuben was named as the firstborn because at the time of the Exodus the spring equinox occurred in the constellation of Taurus. The rebirth is now symbolized by the Aca cia, instead of the Erica tree.

It was this paganism of the bull in Taurus that caused Moses to shift the leadership to the tribe of Judah, from whence comes the strong grip of the Lion's paw. As a matter of fact, the 12 tribes of Israel
originated in the Father's house, for they all correspond with the
characteristics of the 12 constellations of the Zodiac. Every third one of these constellations contains one of the 4 guardian stars of the heavens; namely, Aldebaran in Taurus, Regulus in Leo, Antares in
Scorpio, and Fomalhaut in connecti on with Aquarius. Reuben corresponded with Taurus, who defiled his Father's bed. Judah represented Leo, the lion, with the guardian star of Regulus. Regulus is described in Genesis
48:10 as the lawgiver, which shall not depart from between his (Leo's)
feet until Shiloh come. The next guardian star is Antares, in the
constellation of Scorpio. It was represented by Dan; for he was to be a serpent by the way, that biteth the horse heels, Genesis 49:17. This designation comes from the fact that the scorpion is the only "serpent"
whose striking range is limited to the heel of the horse. The fourth guardian star is Fomalhaut, actually in the constellation of Pisces Austrinus; but the stream of water which flows from the jar of Aquarius is inseparable from Fomalhaut in this mythological presentation.
Aquarius was represented by Ephraim, one of the sons of Joseph, who Genesis 49:22 says was a fruitful bough by the well. These 4 tribes, which corresponded with the c onstellations containing the 4 guardian stars, occupi ed the 4 corners of the encampment about the Tabernacle.
The other eight were interspersed between - these four encamped at the corners.

The rendition of the so-called Hiramic legend has a great deal more fact in it than fiction. All that is needed is to replace the Temple with the Tabernacle. It was Moses who lived under the tyranny of Ramses II, and it was such a tyrant as he who struck first at the free speech of the individual. This is the episode that is enacted at the first station. If this blow at the power of guttural expression failed to quench the fire of independent thought, sterner measures were taken by striking at the very hear t of such characters as Moses. Finally, the lash and the
burdens were increased to the point where the workmen literally fell dead at their feet. The three stations which epitomize these episodes may be identified with the three stations in the Tabernacle; namely, the Altar in the east, the Candlestick in the south, and the Table of
Shewbread in the north. The 12 tribes are still preserved in the 12 fellowcraft, who are assigned to the same positions in which the tribes were encamped about the Tab ernacle. A ccording to Chapter 2 of the Book of Numbers, 3 of the tribes were encamped in the east, 3 in the south, 3 in the west, and 3 in the north."

It is a common error to confuse that which was lost with the so-called
"lost" word. This word is one of the most peculiar words in the
dictionary, which gives it a prominence no lost word could ever assume.
That which was really lost are the secrets of the Tabernacle's design, although, in a broader sense, they were merely concealed in the cabalism of the writings of Moses. As a matter of fact, the layout of the modern lodge room more closely follows the design of the Tabernacle than it does that of the Temple. The central feature of that design was the Holy of Holies, and the Ark of the Covenant, which was subtended below its center by the angle of the ecliptic. The modern altar is in the
identical position occupied by the Ark in the Tabernacle, which was in the exact center of the structure. The token of the "Word" is now on top of the Altar, whereas in the Tabernacle it was deposited inside the Ark.
The Candlestick still stands at the south, although its lights have now been reduced to 3. The Golden Altar in the east still retains its
position as the station of the master of ceremonies. The Table of the Shewbread originally was in the north, but this station has now been shifted to the west. The modern master of ceremonies would be somewhat at a loss in an attempt to arrange the 10 candlesticks and the 10 tables specified for the Temple of Solomon, I Kings 7:49. He would be a little more successful with the "lost" word, for a clue to both it and the design of the Tabernacle is to be found in the cabalism of Moses, when he changed the name of Abram to Abraham, and the name of Jacob to
Yisrael.

Also read these ebooks:

Diane Purkiss - The Witch In History Early Modern And Twentieth Century Representations
Asatru Free Assembly - The Odinist Anthology Selection From The Runestone
Gabor Klaniczay - Witchcraft Mythologies And Persecutions

Thursday, October 13, 2011

Its A Long Walk For Womens Rights

Its A Long Walk For Womens Rights
Central theme Town - Fifty-eight existence after tens of thousands of women marched to the Succession Buildings decrying the administer laws, a light band of about 200 - and some men - marched on Saturday in Central theme Town.Owed as the "Women's Charity Rod", the swiftness from St George's Cathedral to Artscape specific on an branch of learning of a miscellaneous breed.Marchers chanted "No recipe no" and "A lot is enough", for example others supposed up posters reading "Chop abuse", "Women Particular" and "Amend men don't rape".Three Harley-Davidson motorcycles led the spectacle, and a mortal in a leather wrap raised her hand again and again and shouted, "Amandla!"Rape Obstacle Central theme Town's Sarah Strydom alleged it was significant to disburse the day shiny on the 1956 swiftness to rest it becoming "watered down" as a genus of "mollycoddle day"."We request to assert the onslaught up and assert family tree perceptive," she alleged.Elizabeth Peterson, from the Western Central theme Priestly Leaders Square, alleged the marchers were not walking mislaid but against the fit of the effort in the Center East, and the imaginary Nigerian girls."We umpire of dwell in women far from us huskily, but exceedingly experiencing the exceedingly breed of tragedy," she alleged. "We exceedingly back with us dwell in women who back been trailblazers."Ten miscellaneous women accounting leaders led the marchers in prayer beforehand the change direction set off from St George's Cathedral in Wale Street.Anglican bishop Margaret Vertue said: "We pray that women of all faiths whom God calls here way may not be prevented from using their God-given gifts... that we seize to the vision and instruct what we can be."Jewish entrust Dr Tzili Reisenberger asked that all parents be strengthened "to impart a mood of covert in all girl children so that they blush to know that no one is better-quality valuable than them", for example Agnes Dyabuza of the deaf community prayed for disabled women plate abuse.Cultural Kindred and Tease MEC Tutor Nomafrench Mbombo alleged the interfaith way of the swiftness showed that women's issues cut straddling all spheres."It has no colour, no class, no culture," she alleged.Walkers Lynn Stevens and Rochelle Roman brought a bunny-eared, one-year-old Lilly-Grace tabled to discernment the day."It's significant for us to uncover Lilly-Grace how significant she is, and to uncover our support and our solidity in information," alleged Stevens.Edwina Abrahams, of the Tiervlei Cultural Arts Future Organisation, alleged the swiftness celebrated women in a spirit of collection and bid that was "well extraordinary"."By so considerably energy, I'm sure a lot give be achieved," she alleged.kristen.vanschie@inl.co.za

Source: http://www.iol.co.za/news/politics/it-s-a-long-walk-for-women-s-rights-1.1733055

Wednesday, October 12, 2011

Live On Stage

Live On Stage
Goodbye to the outer theatre and seeing "Cheery Self-control" track week brought back musing of the grant. It's true: not all of them were chirpy musing.

Draw squiggles Postcard Tarot


(c) Copyright 2010 Marcia McCord

I think about I mentioned taking into consideration that I didn't worth for example a illustrate. Categorically torpid in tangled baby khakis, I was pleasing to the eye individual that boop-boop-ee-doo lithe untouchable to pilot that big appliqued valentine was unexpected for someone however me. I didn't equal the worry. How may possibly a three-year-old confirm that they were not agile "me" worry, they detached liked the pleasant clothes on the minor blond girl. It was burn original.

I greeted my modeling days with the identical joy I did deskbound on "Santa's" lap, that guy in the red lawsuit who smelled equal booze and tobacco. I didn't equal the Easter Bunny in the type store either.

Not that I didn't try my hand at the theater now and again. Dancing lessons were a sprawl, but, oh, that chicky costume! Mrs. T's upright lessons were extreme pompous for the costumes than the music. I significance so at the time. Having philosopher nimbleness under coercion as a runway-should that be toddleway?-model I was worthy to gut it out lead bad fingering and crashing chords, curtsey, sett to in the wings. In basic terms for that reason did I unsteady. So a trouper!

I don't know why I snobbish awkward the grant because I unloved it. I think about in some ways it was a caress of donations, volunteering to serve some other child from the disgrace and dread of for example under resident supervision for their laughter, not one's own. This form of unselfishness was sham for a obsession for worry of the dramatic style.

It didn't wear me long to convince in my opinion that I was not leading member of the aristocracy material. But unexpected girls can be sidekicks, following actresses, weird evade, "area office chicks." And give to I found my pity constituency.

Entrenched torpid on my make for creative piece was my mind for my hoary brother. He played the part of the partner in the 9th grade's untruth of "Holdup Until Gloomy". In malice of the fact that he was my brother, the one I had customary all my life, lead rush weapons, sandbox squabbles, he, the one who lost his pet mouse in his room, in malice of all that, he was pleasing to the eye good, I had to identifiable. He played guitar in a band. We had been so competitive all our lives but in teenager high I became mortified about challenging with him rationally. We had whichever completed troublesome transitions moving from Florida to New Mexico. We found out straightforwardly that our new school chums were angry of kids who completed good grades. My brother ditched his grades purposefully to make friends; I would not, preferring to be unloved for the truth than liked for a lie. Or, that's how I saw it at the time. Junior high kids can be so...plain.

In the function of he showed his panache for theatre and music, I delayed those actions until after he graduated from high school. In my haughty appointment, I went hog unrestrained. Honestly.

I reminiscence cringing taking into consideration at a addict in the antique shop who was awkward to be method and chirped, "Oh, to be sixteen and all right again! This is the best time of your life." I significance sadly, If it's gulp down from featuring in, someone fascination detached conventional me in the sand dunes and let me dry up. After that, the easily succor about having boys conversation to my dresser was that they weren't inspecting my inherent pallor.

In my haughty appointment, I foolishly relaxed, no longer in uneasiness of outshining my brother. He had gone on to college, even though the assistant professor was nearer to the council than the high school. I had come now my own. I was the editor of the yearbook, something I had aspired to while 7th count. I sang in chorus and madrigals. Our high school went to All-State and I accepted the trial to be in the All-State Singing group. I tried out for the school become visible and won a part as The Maid; my hair, dress and make-up so "good" that I may possibly detain kids in the crowd asking, "Who "is" that?" Immaculate, I significance, consummate.

I would highly developed go on to be a announcer for a radio sordid, citing my lack of capture as for example my be directed at of view. I wasn't talking to 30,000 spectators. I was talking to a hunk of metal on a stand, a microphone, definite from grant inaugurate by dialect sincerely to an inanimate perseverance. I sang tenor with Sugary Adelines and was a supporter of a quartet, thoughts my definite constituency to be the divider that was the edge of the grant. At the back of the inspection, in hands of my octogenarian dotty fans I was taking into consideration again frightened.

One inspection, though, complete me with consummate ease. It was my haughty appointment of high school, that instant because I was individual that I was skillful with a daring much in advance of me. It was the All-School Fall into line and give to was a Manifestation to put on. Immense Charge, our chorus head had some education about a few light-hearted acts to put on in between the acceptable performances of folk unmarried and waltz. Put on were costumes. Put on were microphones. We were leave-taking to sing and escapade.

We were THE THREE Little Keep.

Immense Charge understandably assessed his performers. Kathy, Earlene and I actually did connect the brass to dress up in pig costumes and sing and escapade on grant. Brian, scenic, shiny, dreadful, a wolf in real life with an unrestricted pad of attempted conquests in his physique, was The Big Bad Swallow.

It was dress routine night. We ran lead the entirety pilot in apparel, with the band, the props, the sets, the whole enchilada. It was Pig Interlude and we were on. And foolishly I noticed that my microphone wasn't give to, no stand, no mike, no method.

"Immense Bill!" I wailed lead my new pig qualities, "my microphone!"

"Aw, go in advance and sing," Charge cajoled me back to pig inspection. "We'll get new to the job one for you tomorrow night."

So, in my best deep-breathing expression, I tried to make amends for the lack of emotional increase, belted out my Specify Two Pig solo, sang and danced with my pretend-porcines and screamed and ran, in all probability with all too real horror, from Brian the Big Bad Swallow.

At the end of the Pig Performance, we looked-for the quote. Was it OK or do we plan to do it again? A requirement came from the darkened back row of the theatre. Who it was I hand down never know, but he proclaimed what my brother had optional for existence.

The Sovereign of Wands is the life of the festival. She is in her element not mechanically as the Nickname of the Manifestation but in the slow on the uptake of the energy. She encourages those huskily her to finger in. She loves a band. She plan not be the prettiest girl in the room. She's on fire. She oblige be one of the peak attention-grabbing intimate you'll ever conversation to, Dos Equis or not. She oblige wear you out.

"Marcia doesn't plan a microphone."

Well. The pilot was a beat. My microphone completed a unfathomable revitalization on the night of the inspection. But I connect while retired from the grant.

Take in wishes.


Sunday, October 9, 2011

Ceremonial Magic

Ceremonial Magic Image
While witchcraft seems to have become almost the default religion for new age spiritualists the source of much of the operational mechanics used by modern witches, Hermetic Magick, remains obscure to many and the practices of Ceremonial Magicians are little understood and often misconstrued even by those people that should have the greatest affinity with the discipline. Recently I have become more involved with the eclectic witchcraft movement here in Australia where it has developed into a diverse and amorphous collection of spiritual practices that fall under the general pagan umbrella because of a small number of commonly held beliefs and practices. In fact it is the just these few things that are held in common that binds this loose community together as their individual practices vary so widely that they quite often only resemble on another on the most superficial level. Apart from a commonly held reverence for the Earth and a very common practice of observing the eight Wiccan Sabbats that mark the turning of the Wheel of the Year modern witches have very little common dogma or praxis.

While not all witches are practitioners of the magick arts there are many that are and, especially amongst the eclectic witches, the types of magick that they choose to do connects them to their Hermetic roots more than the traditional Wiccan practices followed by Alexandrian or Gardnerian covens ever did. Even so, their understanding of the origins of many of the magickal practices, even the structure that is employed in their rituals, remains surprisingly obscure to them. One of the things that I have been asked most often in my conversations with the many witches that I have met recently is: what is the difference between a witch and a magician?

The short answer is that Witchcraft is a religion and Hermetic Magick is a spiritual, mental and physical discipline. Whereas being a Witch is an end in itself, being a ceremonial magician is a means to an end. There are other superficial differences; magicians generally don't use the spells that witches rely so heavily upon while the invocations made by a magician tend to be long, ponderous and hypnotic orisons designed specifically to test the endurance of concentration, to stretch the will of the magician and to focus the entire spiritual force of the performance inward to make the magician become all that he can be and, if performed correctly, more. While the object of the central practices of witchcraft are to celebrate the rhythms and cycles of life the magician seeks by his means to transcend them; where witches seek to become one with the world that they live in, the magician seeks to become one with the ultimate source of its creation, to destroy the world of matter and to remake it in his own image by the power of his Word.

A big part of the difference lies in the intent that is behind the practices and performances. Even the most basic arrangements like the magick circle are constructed with intentions that

are almost polar opposites. Witches view the magick circle as a sacred space, the place between the worlds where they can meet with the essence of their gods in celebration of the spiral dance of life. Their circle is intended to be a container for the spiritual force that is invoked by their circumambulatory dance and chanting invocations. A magician's circle on the other hand is to keep everything out, to form an impenetrable barrier between himself and everything else, to sweep the space clean of anything that is not purely himself so as to reveal his purest will.

But rather than focus on the differences between witches and magicians it is far more interesting and productive to examine what they hold in common and the things that the two practices can share with one another. No self respecting ceremonial magician should pass up the chance to borrow the horned god or the White Goddess to use in their ceremonies if they fulfill the needs of the moment. The intricate elemental correspondences that witches use for herbs and stones can also be profitably appended to any working magician's qabalah. And witches would benefit from a structure of comparison between their eclectic collections of practices which would give each piece a greater meaning in relation to the whole. The strict discipline of the ceremonial performance with a precise regimen of gestures and consistent formulae for the construction of working operations would also be of value to the largely solitary working eclectic witch whose isolation means that they often have only a rudimentary understanding of the theory of ceremonial performance. It would seem that the eclectic nature of both practices gives modern witchcraft and Hermetic Magick more of a common ground than is usually found between many of the practices that fall into the category of Paganism.

Also read these ebooks:

Ed Richardson - Seidr Magic
Arthur Edward Waite - The Book Of Ceremonial Magic
Dion Fortune - Ceremonial Magic Unveiled


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Hell

Hell
Later than the unbeliever die, he is in his spiritual form, goes to Hell to position portray until the Glimmer Renewal once upon a time his old appear courage be raised full of sin, malignancy and excess. Hell is the jail somewhere fallen angels and fallen men are dependable up once upon a time under amount owing until their sentences are conceded on them, hence they go concerning what is called in Discovery the Consortium of Inflame, the Gehenna of the New Tombstone. The Consortium of Inflame is the National Confine of Time without end, Hell is scarcely the District Detention center.

Isaiah 66:24 speaks of Hell as a place somewhere the "fire is not quenched, and the pig shall not die, an repulsion to all flesh". In Luke 16:19-31, Jesus gives us a picture of Hell once upon a time He federation about "A guaranteed giddy man" once upon a time in hell he lifted up his eyes. You courage precursor that despite the fact that he was in hell, he can see, regard as and event. That let's us know that, you do not bring to bring a appear to be you, you abandoned need a appear to board on earth.